Adopt a Composer Project with Making Music
The launch of Adopt a Composer saw a beautiful crisp
autumnal day. As I hurtled towards St Martin’s through the familiar tunnels
bisecting London’s rich clay, I felt nervous and excited about this new
challenge. On more than one occasion it has dawned on me that I have said yes
to something about which I have no details. Who? What? Where? When? How? All
are blank. It’s like I’m travelling blindfolded, through these dark tunnels. I
blearily alight into the crisp autumn sun and after a few moments of steeling
myself, descend into the crypt.
Scary things happen in crypts, but this was not one of them.
A lovely bunch of people who, in all honesty, only have one thing in common,
and it’s the one thing we are not allowed to talk about! Discussion quickly
descends to puppies and the buffet.
Making music provide a warm welcome and a broad introduction
to the project through videos, talks and Q&A sessions, all the time we are
waiting excitedly and nervously to see who we will be matched with. I have an
inkling, as earlier on I had broken the coat rack (oops) within eavesdropping
distance of a warm Welsh accent. True to my guess, these tones belonged to
Charlotte from Ty Cerdd.
Ty Cerdd are a really interesting organisation, spanning the
whole of Wales, with an emphasis on community and education music. Charlotte
was really keen to involve some form of intergenerational aspect to the
project. I had been considering a walking based composition, based on the
landscapes. Some of my previous works are based on 24 hours in a given
location. I fold in research about the social history, my impressions of the
landscape and found sounds which I record and electronically manipulate into
the music.
I had to have pity for my wonderful new mentor David Horne,
sandwiched between two enthusiastic Welsh women trying to get a word in
edgeways! Sometimes you meet people and ideas just flow, this was one of those.
45 minutes since we had met, Charlotte and I had started to sculpt something
which incorporated our two ideas, looked practical, and exciting.
Our project blurb
was drawn up to cement the ideas.
Cerdd/ed
- (working title)
Cerdd/ed is
the collaboration of Ty Cerdd with composer Amble Skuse.
Cerdd/ed
links local primary schools with community ensembles to explore local history
and create a tailor made composition, drawing from the stories of the local
environment, inspiration from walking and found sounds generated by the
children. The piece will be available to the 'audience' as a site specific piece
as part of a local history walk.
Amble Skuse
will work with the community music group to explore their memories of their
town, using their photographs, stories, memories and old newspaper reports, we
will create a locally generated memory map, based on the locations. In
collaboration with the group, Amble will develop a walk around sites of
interest, mapping memory, and retaking old photographs where possible. This
walk, along with the source material will form the basis for Amble's
composition.
Ty Cerdd
will create a teachers pack for the partner primary school to explore ways in
which sound and stories can generate musical material. It is envisaged that the
community group will perform a short assembly to the children to introduce the
partnership, and then the teachers will work through the education pack,
exploring found sound, and making poetry from landscape and stories.
The children
will then set out on the walk trail, with hand held recorders to bring
back snap shots of exciting sounds they find along with way. The children will
also be encouraged to take photographs, and write down any phrases which strike
them from the landscape. The teachers’ pack will support classroom teachers in
creating 'contemporary' compositions in the classroom from the inspiration
found on the walk.
The material
generated by the children, will feed in to Amble's composition, using the found
sound, and processing it into electronically generated location specific noise.
Amble will write a piece which allows the community group and the school to
perform together, along with the electronics.
The
performance of the piece will be recorded by Ty Cerdd and turned into an
mp3.
Amble will
create a website, detailing the route of the walk, along with interesting
social and oral history relevant to the town. Alongside this will be photos,
old and new. The route will be downloadable as a PDF map and directions, with
'treasure hunt clues' which will lead the walkers/audience to a series of
geocaches. At the geocaches, walkers/audience will find the links to
the mp3, along with snippets of oral history. This will allow the walkers
/ audience to listen to the recording in a site specific way through a G3
enabled phone.“
We retreated to our geographical locations to begin working on the
project, Charlotte to find groups to work with, and me, to design the website,
prepare the group materials and do some serious Welsh research. It’s such a
blessing, this project as it enables me to rediscover the landscape and history
of the country I call home. I’ve been gorging on history books, Gwynfor Evans,
walking books and old photographs of the Rhondda, a friend even sent me a
dragon cookie cutter (although I’m not sure how we can work this into the
project yet!). My Tonypandy Mam is most excited and can’t wait to get on the
phone to the relatives about it all.
We’ve sketched out a few dates for a visit, and my next job is to
design myself a programme of activities, interviews, visits, extracts,
questionnaires, and walks to do while I’m there. Now I just have to see how
many more Welsh language lessons I can squeeze in before my trip! Gyffrous iawn!